I always harbour this romantic idea that I will be the kind of travelling-man who keeps a profound, inspired and insightful journal full of interesting thoughts and feelings about being in a new and wonderful place.
It never works out.
I think that can only be a good thing. It proves I have had such little time to sit with nothing else to do. It's not that I didn't want to write a blog everyday, or most days I was here, I just didn't really get the chance.
Sofia is an incredible place. It's always alive and there is always fun, excitement and parties to be had. Alcohol is cheap, food is amazing, the sights and sounds of it are on one hand big bold and beautiful, and on the other decaying with old buildings like relics of a communist past. The streets are foggy, the weather causes every single breath of air to form ghostly mists that seep out when you breath.
Before I get to poetical and wanky I'll try to explain what we've been doing.
This week theatre makers from all kinds of different places (From Iran to Russia, just to offer some kind of spectrum) gathered in Sofia at Alma Alter's theatre space attached to Sofia University, to present their work. Experimental and Alternative were words thrown around for explaining what "type" this work was.
We presented Bottled, a piece that started life in the hands of Tracy Harris, Matt Ball and Greg Wohead almost two years ago. Performing it in Sofia was an amazing experience.
I could talk about all the amazing work I've seen and been blown away by, Polish dancers who's determination and gusto took everyone away, without undermining the beautiful work they made. I could talk about the Russians, who took Tennessee Williams' the Glass Menagerie and put it in a blender of eccentricity, movement and circus. But it maybe wouldn't mean a lot to anyone reading.
What I would like to talk about is the University, the students, Alma Alter, their theatre and the impact it feels like it has on Sofia. The way Alma Alta work is bold and brave and wonderful. It's inclusive, one of the first things they said was "When making theatre, there is no wrong and no right, there is my way and your way, my theatre and your theatre", and from here on in everyone knew they would not be judged or criticised but that all thoughts and feelings expressed about their work would be constructive and just someones opinion. The students who work with Alma Alter are in the more than capable hands of Nicoli (who knew Jerzy Grotowski personally, any Performing Arts Students should get a kick out of that) and Petia, they work on new, exciting and groundbreaking methods of theatre approach.
Th students live in the moment, they commit to everything and most importantly of all they smile. AAAALL THE TIME! They're incredibly happy. Some of them are studying Law and Geography or other subjects, yet they find themselves participating in performance making as an extra, and even though they're not studying performance art, they are welcomed into the fold and feel as part of the theatre as anyone else, and that's the thing. They feel like they own a piece of it. They care about it. They take risks and are rewarded. It's like no other educational establishment I've ever worked in.
Anyway, I've got to board a flight...
Mucho
