Showing posts with label Matt Ball. Show all posts
Showing posts with label Matt Ball. Show all posts
Monday, 8 December 2014
Day 1/2 - Bulgaria - Sofia - International Art Forum
Right now I'm slightly tired, shell shocked and perplexed to find myself sat in a hotel room in Sofia ahead of a week of talks, performances and meetings with international artists for International Art Forum, Sofia.
It all came out of Bottled, a performance-like-something that Tracy Harris, Matt Ball and myself put together in October for Experimentica at Chapter Arts. Paul (Tracy's significant other) was the link, and when I told people I was coming, no one quite believed I could be lucky enough to have bagged another free international excursion, so much so I'm sure some of my friends don't believe I'm actually here, but I am.
Having just landed in Sofia after a three hour flight from Luton, we've arrived at our hotel, The Ganesh Hotel. It's strange. Stuck, slightly, in the 80's it has a dark-oak, thick carpet romance to it. The building it's self is situated in some suburb somewhere in Sofia, where exactly I'm completely unsure as it's 1am here and we arrived in darkness. Picked up by an enthusiastic theatre student; Marco (who I'm sure I will be writing about consistently in these blogs), his boundless enthusiasm, excitement and energy seems to have fed of what remaining energy Paul, Tracy and I had left. Although he left us with our enthusiasm and excitement.
The hotel is still. It's scent is that of "old-man" cologne mixed with thick, stale cigarettes, and it bombards your nostrils and paints an image of burly business men walking around the dim rooms in well worn underpants after a day of selling sponges. The elevator, barely big enough to fit two people inside, has it's own persona and it speaks in hum's and whirs and squeaks, like something out of a Stanley Kubrick film. The door shuts violently before you've had a chance to get fully out, like it's lonely and wants to keep you inside it for company.
Outside on the street a few cars trickle by and seem to slow down, curious of what might be going on inside this old hotel. I can hear the voices of the people in the room next door, and they sound like they're planning something. Nothing sinister, maybe just planning a trip to get more cigarettes, or ask the stoney old Bulgarian dude on reception where they can pick up booze at this time of night.
This morning I woke up in Cardiff, packed a bag and placed all my trust in Trace and Paul. From Cardiff to Luton to Sofia they haven't let me down. Paul may as well be a Bulgarian citizen, he's been here so many times, even lived here a short while, he's taught us some choice phrases and so far we've laughed and talked about all kinds of stuff. Mainly we've asked one another hypothetical questions about the week ahead: "What do you think the other shows will be like?" "What other countries do you think will be here?" "How on earth did this happen?". It's incredible, really.
Sad to say Matt couldn't join us, and the performance we will be presenting is something like a version of the something we did at Chapter for Experimentica, what that version is we're really unsure, but it's (to quote Marco) "Fucking exciting" all the same.
I'll keep you posed.
Mucho,
Justin
Wednesday, 29 October 2014
Bottled - Week 1
A funeral where the eulogy told the truth, the whole truth or anything but the truth?
Did you ever reply on twitter and regret it immediately.
We've been collecting stories, writing eulogies, making speeches and not apologising. We've been getting competitive, drinking milk and dancing to Kelis.
We've taken strands from the initial processes of this idea, but as to be expected when any new artist is involved in the making of something, it feels like it's become slightly something else. We've been exploring ideas, divulging secrets, bottling things up, telling poo-stories, baring our embarrassing, and exploring the ideas of risk, formality and speech making. What would happen if we could be honest when giving the Best Man speech? What's the purpose of the language we use? What are we hiding? What are we saying, whilst not saying? What we have at the moment is loose in form, with ideas of ideas and inklings being poured from bottle to bottle.
The piece has been commissioned for Experimentica 2014 and funded by the Arts Council of Wales. Being performed as part of the Experimentica festival, taking place at Chapter Arts.
If you want to catch Bottled and/or talk to Matt, Tracy or myself then please come along to Chapter Arts on Wednesday Nov 5th 6.00pm - Tickets £5.
Mucho,
Justin
Labels:
Art,
Cardiff,
Chapter Arts,
Experimental,
Experimentica,
Funeral,
Live,
Matt Ball,
Milk,
Performance,
Speeches,
Theatre,
Tracy Harris,
Wedding
Wednesday, 15 October 2014
Bottled, TigerFace, Pollinate, Other Stuff - 15/10/14
What's it all about?
I don't know.
This week I've had plenty of time to sit and stew and do and not do. It's not only been really nice, but in direct contrast with last week where I moved around more than a hamster at night.
Last week Tin Shed Theatre Co. hosted three nights of funny stuff at a self-made-pop-up-venue in the upstairs of The Project Space, Newport. It was an exhausting, smile inducing, hoot.
So this week I've been on a bit of an inspired and lazy come down from that, poking old projects back into life, playing with plasticine, drinking tea and looking ahead to next week when I start a new project in Cardiff with Matt Ball and Tracy Harris.
Bottled was a work in progress and originally a collaboration between Matt, Tracy and London based Texas born performing artist, Greg Wohead. I'm a huge fan of Greg and his work, and so was dubious about stepping into his shoes, but two meetings in and I've been assured by Matt and Tracy that we're remaking not replicating this work. I'm excited to be working on this in the lead up for it's first performance as part of Experimentica 2014 at Chapter Arts in November.
Looking at life events, occasions, formal-conventions, best man speeches, eulogies, words spoken and words never spoken, bottling things up and perhaps the consequences of not letting them out.
You can see more here: CHAPTER ARTS
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Bottled - Press Photograph |
Having met both Matt and Tracy (and Greg) at National Theatre Wales Summer Camp/Pollinate in2012, as well as having formed strong friendships with other people who ventured into the wilderness with us that summer, it seems the repercussions of this NTW ran Performance Development scheme are deeper and more unknown than they're initially thought to be.
It was also at Summer Camp that I first tuned into my initial ideas for TigerFace, even though I wasn't their to work on that project. A dude called Simon handed out clown noses and I was immediately inspired to follow my instincts in the making of an anti-clown.
It seems that, that 'pollination' has well and truly been successful and last week I performed TigerFace (aka The Anti-Clown) at Tin Shed Theatre's TRASH, part of ComedyPort 2014.
You can read more about TigerFace in blogs of past: SCRATCH THAT ITCH AT THE SHERMAN
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TigerFace at TRASH |
Thanks for reading,
Mucho
Justin
Labels:
Bottled,
Chapter Arts,
Experimentica,
Greg Wohead,
Making,
Matt Ball,
National Theatre Wales,
Newport,
NTW,
Performance,
Pollinate,
South Wales,
Summer Camp,
Theatre,
Tigerface,
Tin Shed Theatre,
Tracy Harris
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